About the work
I have always been interested in memory, how it works, and what it reveals about us and the world. I have been exploring how marks, colors, layers, erasures, and patches, evoke remembrance and forgetfulness and suggest the discoveries we make and the absences in our lives.
My work is informed by my concern with natural processes, particularly in the relationship between ourselves and nature, and the tension between being part as well as outside of it. This tension is echoed in the way I work. The material is not entirely controlled in my studio, allowing for accidents, discoveries, and an ongoing conversation between myself, the material, and what’s appearing on the canvas or paper. Frequently, I introduce marks and collage elements whose intentionality disrupts the happenstance of their fluid elements. The completed painting is a record of that process and the corrections and alterations that months of work bring about. Ultimately, I’m looking for artworks that depend on their transcendence in the tension between beauty and flaw, between grand ambition and simple means.
About Kim
Kim DeJesús trained at Arizona State University, where she was the recipient of the Katherine K. Herberger Painting Scholarship, and received a post-graduate degree in art from North Central College in Naperville, Illinois. After her studies, Kim took a teaching position. For over a decade, she pursued community-based collaborative art initiatives in the US and abroad. In recent years, her studio practice has led her back to painting and she is working with William Turner Gallery in Los Angeles.